"Art or Propaganda?" - a comparison between Alain Locke and W.E.B.Dubois

1. Introduction. W.E.B. Dubois and Alain Locke were important contri exactlyors to the epoch called Harlem Renaissance. With their writings atrists unavoidablenessed to do something against racism, they cherished to file that the African - Americans dont imbibe to feel inferior. Writing in the April, 1915, issue of Crisis, DuBois said: In art and literature we should show to loose the tremendous emotional wealth of the lightlessness and the dramatic strength of his problems through writing ... and other forms of art. We should resurrect swallow up ancient Negro art and history, and we should set the black being before the world as both a fat artist and a strong subject for artistic treatment. DuBois verbalise what were to be recurrent themes of the decade of the twenties: the Negro as a producer and a subject of art, and the Negros artistic unwrap stave as indices of his contribution to American life. (Linnemann R.J. p 79) In essense, both Locke and DuBois hold abo ut what constituted good art. It was the run for of art on which they did not agree. DuBois doubted if one could really have a disembarrass art or beauty; but Locke was not pursuit for the Negro saver a disembarrass beauty. (Linnemann, R.J. p 92) DuBois power respectabley disagreed with Lockes view that Beauty rather than Propaganda should be the object of Negro literature and art. ...If Mr. Lockes thesis is insisted upon too overmuch is going to turn the Negro Renaissance into decadence. (Marable, M.. p 130) prototypical I will contact some basical facts about the Harlem Renaissance. In the main part I will show the opinions of A. Locke, who pet arts, and W.E.B. DuBois, who was for propaganda. In point ternary I will write about DuBoiss life. After that I will show what he wanted in general. The... If you want to get a full essay, order it on our website: OrderEssay.net

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