In "Rules of the Game", Tan uses the game of chess as a metonym for this larger struggle between a mother's model of destination as rooted in a nonher solid ground and a daughter's sense of herself as American. June's mother summarizes the importance of acute the rules of American life - rules that she herself can never master, rules that she wants her daughter to extradite control over (even as she also desperately wants her to be Chinese as well).
"This American rules," she concluded at last. " either time people come place from foreign country, must(prenominal) know rules. You not know, judge say, Too bad, go back. They not telling you why so you can use their counsel go forward. They say, Don't know why, you abide by
out yourself. But they knowing all the time. Better you take it, find out why yourself." She tossed her head back with a contented smile (p. 95).
Ramage, John, John C. Bean and June Johnson. The Allyn & Bacon Guide to Writing. Brief tertiary ed.New York: Longman, 2002.
Alice Walker, in "Everyday Use(for your Grandmama") chooses a symbol that is at to the lowest degree as fundamentally American as apple pie: A patchwork quilt. Not only are such quilts representative of American culture, they are oddly emblematic of African-American culture and of the ways in which African-American women have worked to create intergenerational links. We involve Walker's characters as much more fundamentally American than Tan's, which is accurate, attached that Tan's characters are recent immigrants while Walker's are not.
Tan, Amy. The Joy good deal Club. New York: Ivy Books, 1989.
Knowing the rules of chess becomes - ironically, for chess is of degree neither American in origin nor a particularly integral part of American culture - the way in which June proves to her parents that she knows the r
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