William Shakespeare and Ann-Marie MacDonald's Play

In Othello, Shakespeare (1954) moves the action from Venice to the Island of Cyprus for some(prenominal) reasons. First, Othello's new command is located on that island. Second, by removing Desdemona from the realizable protection of the Venetian court, Othello gains more autonomy with respect to his word of his wife - who is effectively separated from her father, her friends, and even Cassio, her former suitor. Cassio's succeeding posting to Cyprus provides Iago - the villain of the work - with an opportunity to play upon the innate jealousy and inferiority complex of the Moor, Othello. Third, on Cyprus, there ar

few restraints likely to operate on Othello, who an behave as he pleases without the oversight of the Venetian authorities.

MacDonald, A.M. (1998).

Goodnight Desdemona (Good morning

Movement of this type is generally used by both author to signal some type of major tilt or shift - perhaps in terms of genius or perhaps in terms of the potential for action. In the case of Othello, the move to an island populated with "goats

In MacDonald's (1998) play, Constance (an academic analyse the potential for rewriting two of Shakespeare's plays, Othello and Romeo and Juliet) to avoid the tragic deaths that cash in one's chips therein, moves her action from Cyprus to Verona to
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