Music History

[name][professor /instructor][subject][date] : metempsychosis EraThe Renaissance was the great age of vocal concerted symphony , medicament consisting of a number of equally important give tongue to parts all woven to sign upher to create a complex tapestry of overlapping melodies and beautiful harmonies . In apparitional music , the primary compositional forms were the Mass and the motet , while in secular music they were the French chanson or song (for tether or four voices , and the Italian madrigal Instrumental music was not , for the most part , as formalized during the Renaissance as it would later become . Instruments were utilise in variable combinations to accompany singers (in both religious and secular music to bear music for private entertainment and dancing , and to provide gay or ceremonial music for towns and royal courts . Principal instruments of the item included the lute , organ , and harpsichord viols , recs shawms (double-reed precursors of the oboe , cruhorns (also double-reed instruments , trombones and huntsmans horns (GangwereAmong the most important composers of the Renaissance were Guillaume Dufay , of the so-called Burgundian school , center on at the court of the dukes of Burgundy in Dijon France and Johannes Ockeghem , Jacob Obrecht Josquin des Prez , and later , Orlando di Lasoo of the Flemish school (PenThe MassThe unvarying structure of the mass , the constancy of the textbook , and the solemnity of function were not conducive to musical experimentation in mass composition . Flemish masses nonetheless used the cantus firmus techniques of the earlier Burgundian masters . In the hands of olympian composers such as Giovanni da Palestrina the mass was a highly devotional and serene expression of the liturgy , perfectly conform to to the austerity demanded by the Counter Reformation .

Palestrina s flexible arching melodic lines , his studied use of consonance and dissonance , and his beautifully constructed harmonic sonorities became the model for generations of counterpoint teachers (HoffmanThe MotetThe early motet (from the French intelligence activity meaning word ) frequently contained different texts in heterogeneous languages for each voice parts Complexities of word setting and beef up painting were simply not an important aspect of the music for early motet composers . As the humanism began to exert its influence , composers grew to a greater extent attentive to text setting . The single text was the actuate force for the motet . Each section of music was presented as a separate musical episode that attempted to highlight the limpidity of the text as well as to convey the mad impact of the words . This style of sensitive text original came to be known as music reservata . Composers developed particularised techniques for the musica reservata style . Second , the natural speech rhythm was matched by melodic rhythm so that the words were correctly tonal . Third , syllabic treatment of text and expressive figures were used to portray the message of the text (HoffmanThe ChansonChansons were three-voice secular works in which the music closely mirrored the meaning of the French poetical text . The text , usually an expression of love , was in rondeau form with a two-line refrain (A B a A a b A B...If you want to get a full essay, order it on our website: Orderessay

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