by means of Shelley’s presentation of Frankenstein’s fanatic we can view the age of the industrial innovation, and how this new ramble of engine room, as well as its social repercussions, was perceived by the society it transformed. Because of the narrative comparability of both texts, a textual analysis of Blade Runner should grant us signature with a society transformed by computer technology, which at last led to such a huge change in the nature of many jobs and the communication habits of the western world, that it can in many ways be seen as a revolution in its own right. Given the historical placement of both texts and through our analysis of them, we hope to witness a design of the hypothesis that stories and films are cultural constructs, and that within such texts wait the prevalent views of technology in the time in which they were made.
Frankensteins plenteous title “the modern promethus” tells us a great push-down list from the outset about the danger of science and technology macrocosm given to man before God sees fit. Prometheus, a heavyweight from Greek myth, bestowed upon man the gift of fire and a knowledge of science that Zeus, the king of the Gods, did not believe humans should possess.
Through his gift, Prometheus also bestowed upon humanity Zeus’s wrath, which took the form of a flood, to wipe out those cities and people who had begun to worship their newfound technology as an alternative for their Gods. It also details the ultimate death of the human race as a result of this knowledge.
but it should be noted, and is perfectly plausible to suggest, that Shelley did not have in mind the original Greek myth, but Ovid’s ulterior Roman tale when constructing her work. In this myth, Prometheus moulds man out of corpse and is consequently the forefather of a new race of beings, a good deal as Frankenstein desires to be at the beginning of the novel. Where then does Shelley’s criticism lie? For one of these...If you want to get a full essay, order it on our website: Orderessay
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