Aristotle in Plato's Academy

Within these writings we take note the doctrine of Aristotle on a number of topics, from epic art and tragedy to his views on virtue, justice, and the good keep. Three of Aristotle's most strong writings that remain influential to this day argon his treatises cognise as Rhetoric, Poetics, and Nichomachean Ethics. In Rhetoric, Aristotle took issue with Plato's disdain for rhetoric as an art and skill. Speeches are made to run and are effective in doing so, according to Aristotle, when they include logos, pathos, and ethos. In Rhetoric, Aristotle maintains that there are three kinds of persuasive appeals: Logos; Pathos; Ethos. Logos has to do with appeals to the reason of the auditory modality. Pathos appeals to the emotions of the audience. Ethos is appeal based on the speaker's character. such(prenominal) appeals are internal arguments that help a speaker persuade his audience of the validity of what is being said. Logos, Pathos and Ethos are in like manner known as artistic proofs that, according to Simmons (2001), "provide resources of converse that are available to the public speaker or persuader" (48).

In Poetics, Aristotle provides his philosophy of art, tragedy, and epic drama. Aristotle moved his own formula of art as imitation of nature from the writing of Plato, who in like manner asserted that art is imitation. In Poetics, Aristotle justified poetry (and other(a) arts) as valid on two grounds: the fairness and validity of art as imit

ation of nature, or as a form of knowledge, and secondly the chastely desirable effect of this awareness on the human mind, (Bate, 1970, p. 14). In Poetics, Aristotle (1957) maintains that tragedy is "an imitation not only of a do action, but also of incidents arousing fear and pity (p. 637).

Central to Aristotle's philosophy as to the definition of art is his view of katharsis, a bring which operates by first exciting and then calming emotion. sad drama not only arouses the sympathetic identification of the audience by presenting and imitation of human nature - but also, by appealing to the instinct for harmonia as wholesome as mimesis (imitation), presents an logical and proportioned regularity of structure interrelated through Aristotle's law of " prospect and necessity," (Bate, 1970, p. 18). Aristotle also maintained that unities of time, place, and space must be include in tragedy, along with a beginning, middle, and end.

Aristotle's views on virtue, happiness, pleasure, and the good life can be found in Nichomachean Ethics. In this institute two pleasure and happiness play an important role. Aristotle (1952) states that "both the general run of men and people of superior shadiness say that it [the highest good] is happiness and identify living well and doing well with being happy; but with regard to what happiness is they differ," (I, 4, 1095a 15-20). gladness of eudaimonia is the highest of all goods achi
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